A 'Fort'uitous detour.
It was not
the intended destination . But we were destined to land there !
On a journey
to Seebi , a minor error in map-reading put us on the two lane highway , where
we were stuck with a never ending median
, making it tough to reverse the direction. A signboard for Sira showed up
before the median relented with any gap for U Turn.
But the name
Sira rang a bell , a big clanging bell .
Sira ! We were in the vicinity of a
historical place that gave the prototypes for all the grand edifices we
Bengalureans take pride in : The Bangalore Fort , Lalbagh and Tipu's Palace ! The prototypes are all gone with history. Sira is a small town now, with just the ghost of a Fort left .
But the name
beckoned as with a Siren Song !
Seebi was unceremoniously put on the backburner and
the destination reassigned . Onward to
Sira Fort then !
SIRA (
originally called Siria ) has a long and checkered history of being passed
around the imperial hands of a variety of mighty players - the Vijayanagara Nayakas , the Marathas , the Moghuls, the Mysore
Sultanate, the Wodeyars and the British, all of whom coveted this fertile
tableland for its strategic location as well as for its natural wealth .
Looking at
the small dusty town now, it is difficult to visualise its past greatness .
Yet
, this was once a Power Center , the Capital of a Subah ( Province) created by Aurangazeb in 1687 , south of the
River Tungabhadra , comprising seven
parganas , approximating the Carnatic
Balaghat carved out earlier by the Maratthas. Big names like Anegundi , Bednur , Chitradurga and Mysore
were made tributaries to Sira Subah and were administered from The Sira Fort .
The Mughal
revenue system introduced in Sira has
had long lasting influence in the
region.
Rangappa, the Nayaka of Ratnagiri started building the brick and stone fort during early 17th Century . However, Sira fell to General Randullah Khan of Bijapur in 1638 and the fort was completed by the Governor Malik Hussen, who also enclosed the town with a mud wall . The subsequent conquerors redesigned and added to the Fort and what remains today are mostly walls and bastions built by Haider Ali and Tipu Sultan . And these are in an appalling condition now.
Till a few
years ago , the Fort was in total neglect . The first effort at restoration in
2015 met with severe criticism as
crumbling walls were being bulldozed without any effort to retain the old
architectural elements such as the slits
in the wall for musketry and the glacis . The ASI then undertook systematic
repair work, which was going on when we visited.
Entering the
Fort was a minor battle for us as a hedge of thorny twigs was laid across the
approach to ward off irresponsible
visitors, who ,reportedly, were using the ancient monument to answer the call
of Nature.
Entry
managed , the first portal to cross was a gaping space in the enormous stone wall rising
20feet high , just beyond the dry, weed filled moat . It must have had a door
made of timber once , but now lost.
The second
portal, locally called Diddi Bagilu, was
the most unexpected sight . Looking like the entrance of a Dravidian Temple , it had spacious
"jagalis" with a set of very beautiful pillars.
The third
portal had more pillars with bas relief panels, but most of them severely
damaged. Some of the relief sculptures seemed like they were systematically chipped away.What was left intact - the
elephants, makaras , creepers etc - made pretty pictures.
Crossing
this portal , we were confronted by a
high wall again . The pathway curved around this wall in a deep loop . This was
an interesting and unusual security measure thought up by the Fort's architects
to thwart easy access by intruders .
Covering an
area of about 80 Hectares , the fort is now mostly a wasteland inside . We
found crumbled remains of only three buildings , which could not be identified
as of any particular description .
Two wells ,
one of them quite large and stepped , apparently served the needs of those who
lived within the fort .
Clay pipes were used for conveying water and evidence
of this lay among the rubble. We almost missed this feature. But a kindly local gentleman, with kohl-ed eyes and smelling of fresh carbolic soap, stopped by to point it out for us . Noticing our interest and curiosity , he lingered on to guide us around the entire Fort. We found his obvious pride in the Fort touching.
Among the ruined buildings, only the octogonal pavilion with a domed roof seemed relatively less
damaged . According to our newfound guide , the polished
blackstone slabs of its flooring were joined using lead. This he verified for us by scratching a joint with
a stone : it showed a silvery shine ! So
lead it was !Wow !
The fort is
a square , with 18 bastions placed in perfect symmetry , which shows up like a
neat diagram in satellite pictures .
The low ramp
hugging the moat on the inner side is a broad wall of packed rubble , finished
with perfectly laid stone cladding .
As we went around the Fort , we found stray relief sculptures dotting the outer
walls : faces , serpents , fish , hamsa and human figures in addition to small
niches with identifiable Ganesha and Hanuman icons. The isolated, weather worn faces seemed a bit creepy .
High up at some corners of
the wall, the cross beams used for strengthening the base of the upper moulding
were actually pillars of some older temple with carvings of rishis and devatas
. It was peculiar to see these characters in a prone position.
Similarly
the side walls of the flight of steps leading into the larger well had carved elements from some long lost
temple. Since the Fort changed so many hands during its life time , it is
difficult to assess when such repurposing of worked stones was done.
From the top
of the rampart , a fine view of the town unfolded , showing a large waterbody (
Doddakere ) and some minarets beyond the areca groves.
By noontime
, the sun had become too earnest, and we had to wrap up our visit . Just before
leaving though , we went up one of the ramparts to see what work was going on
there .
A team from
ASI was busy removing old, grimy , graffiti marked plaster from the upper brick
walls and applying a fresh layer of a white paste . As we got talking , we were enlightened by
the team that the material being used was not cement but the exact type of
plaster used originally : the "nei-garey" , or Chunam prepared from
the same ancient recipe : Lime , fine sand , aloe vera , jaggery , asbestos
powder( kalnaru) , and plant resin all ground together to a smooth white paste
in a giant grinder. Looking at the churning machine , it was difficult not to
think of idli batter roiling in a kitchen grinder! The lime powder they were
using , we noticed , came all the way from Korea as local supply is scarce .
The nice gentleman was very happy to have guided us around "our Fort" . When we offered a small token of appreciation for his troubles, he seemed quite offended. His only wish was for us to spread word and encourage more City folks to visit " our beautiful and historic Sira"
Though
unplanned , the visit to Sira Fort turned out to be an exciting voyage of
discovery and wonder .
( Sira is
123kms from Bengaluru , in Tumkur District )
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